Accepted/Forthcoming. “From Posthumanist Anaesthetics to Promethean Dialectics: Further Considerations on the Category of the Hysterical Sublime.” Rethinking Marxism.

Accepted/Forthcoming. “There is No Metalanguage; Or, Truth Has the Structure of a Fiction: The Žižekian System, Between Post-Ideology and Post-Truth.” Enrahonar: An International Journal of Theoretical and Practical Reason.

Accepted/Forthcoming. “Whither Symbolic Efficiency? Social Media, New Structuralism, and Algorithmic Desire.” Symposium on Algorithmic Desire. Rethinking Marxism 34.3.

2022. “Is it Possible to Represent the Sexual Relation in Cinema?” Translation of “Est-il possible de représenter le rapport sexuelle au cinema?” Translated by Anthony Ballas. Language and Psychoanalysis 11.1: 4-15.

2021. “Renewing Humanism Against the Anthropocene: Towards a Theory of the Hysterical Sublime.” Postmodern Culture (PMC). 32.1.

2020. “Renewing Universality: COVID-19 and Social Distancing Against the Biopolitical Critique.” Contours: E-Journal of the SFU Humanities Institute 10.

2020. “Defending Representation; or, Thinking the Paradox to the Limit.” Crisis & Critique 7.2: 68-89.

2020. “Introduction: Reading Capitalist Realism, Ten Years On.” Mediations 33.1-2: 139-148.

2019. “The Apostle of Reason: Hegel and the Desire for Emancipation in the Twenty-First Century.” CT&T: Continental Thought and Theory 2.4: 193-228.

2019. “Postmodern Marxism Today: Jameson, Žižek, and the Demise of Symbolic Efficiency.” International Journal of Žižek Studies 13.1: 22-56.

2019. “‘Make America Great Again’ and the Constitutive Loss of Nothingness: An American Nightmare.” Third Text 32.5-6: 647-655. .

2018. “The Ideological Algorithmic Apparatus: Subjection Before Enslavement.” Theory & Event 21.2: 457-484.

2018. “‘Trump’ – What Does the Name Signify?; or, Protofascism and the Alt-Right: Three Contradictions of the Present Conjuncture.” Cultural Politics 14.1: 1-19.

2017. “Between Heaven and Hell, This World is All We’ve Got: Blade Runner 2049 in Perspective.” Red Wedge Magazine October 25th.

2017. Co-authored with Clint Burnham, “Love and Sex in the Age of Capitalist Realism: On Spike Jonze’s Her.” Cinema Journal 57.1: 25-45.

2017. “Morality or Enjoyment? On Althusser’s Ideological Supplement of the Law.” Mediations 30.2: 37-44.

2016. “Ideology Critique and Film Criticism in the New Media Ecology.” Film Criticism 40.1.

2015. “Est-il possible de représenter le rapport sexuelle au cinema?” CiNéMAS 26.1: 49-67.

2015. “The Entrepreneurial Subject and the Objectivization of the Self in Social Media.” South Atlantic Quarterly 114.3: 553-570.

2013/2014. “Debt:  The Sublimated Object of Capital.”  TOPIA:  Canadian Journal of Cultural Studies 30/31: 47-63.

2013. “Communism and the End of the World.” PUBLIC:  Art, Culture, Ideas 48:  105-115.

2012. “Dialectical Materialism and the ‘Feminine Sublime’.”  Subjectivity 5.4:  376-395.

2011. “Between Theory and Post-Theory, or; Slavoj Žižek in Film Studies and Out.”  Canadian Journal of Film Studies 20.2:  75-94.

2010. “What’s So Funny About Class Struggle?: Ideology in The Trotsky.”  cineACTION 82/83:  64-68.

2009. “Class Struggle and Displacement: Slavoj Žižek and Film Theory”  Cultural Politics 5.3:  299-324.

2008. “Reading Emancipation Backwards: Laclau, Žižek, and the Critique of Ideology in Emancipatory Politics”  International Journal of Žižek Studies 2.1.