Crisis & Critique 7.2
Mediations – Dossier: Reading Capitalist Realism, Ten Years On
Žižek: Repeating Jameson
Special Issue on Todd McGowan’s Emancipation After Hegel
Lost in Europe
Theory & Event 21.2
Cultural Politics 14.1
Cinema Journal 57.1
Mediations – Dossier: Althusser for the 21st Century
Film Criticism 40.1
Revoir Lacan
Entrepreneurship
The Financialized Imagination
The End
Subjectivity 5.4
Cultural Politics 5.3
CJFS 20.2
IJŽS – 2.1
- “Renewing Universality: COVID-19 and Social Distancing Against the Biopolitical Critique.” Contours: E-Journal of the SFU Humanities Institute 10. Forthcoming.
- “Defending Representation; or, Thinking the Paradox to the Limit.” Crisis & Critique 7.2 (2020): 68-89.
- “Introduction: Reading Capitalist Realism, Ten Years On.” Mediations 33.1-2 (2020): 139-148.
- “The Apostle of Reason: Hegel and the Desire for Emancipation in the Twenty-First Century.” CT&T: Continental Thought and Theory 2.4 (2019): 193-228.
- “Postmodern Marxism Today: Jameson, Žižek, and the Demise of Symbolic Efficiency.” International Journal of Žižek Studies 13.1 (2019): 22-56.
- “‘Make America Great Again’ and the Constitutive Loss of Nothingness: An American Nightmare.” Third Text 32.5-6 (2019): 647-655. https://doi.org/10.1080/09528822.2018.1559144.
- “The Ideological Algorithmic Apparatus: Subjection Before Enslavement.” Theory & Event 21.2 (2018): 457-484.
- “‘Trump’ – What Does the Name Signify?; or, Protofascism and the Alt-Right: Three Contradictions of the Present Conjuncture.” Cultural Politics 14.1 (2018): 1-19.
- “Between Heaven and Hell, This World is All We’ve Got: Blade Runner 2049 in Perspective.” Red Wedge Magazine October 25th, 2017.
- Co-authored with Clint Burnham, “Love and Sex in the Age of Capitalist Realism: On Spike Jonze’s Her.” Cinema Journal 57.1 (2017): 25-45.
- “Morality or Enjoyment? On Althusser’s Ideological Supplement of the Law.” Mediations 30.2 (2017): 37-44.
- “Ideology Critique and Film Criticism in the New Media Ecology.” Film Criticism 40.1 (2016).
- “Est-il possible de représenter le rapport sexuelle au cinema?” CiNéMAS 26.1 (2015): 49-67.
- “The Entrepreneurial Subject and the Objectivization of the Self in Social Media” South Atlantic Quarterly 114.3 (2015): 553-570.
- “Debt: The Sublimated Object of Capital.” TOPIA: Canadian Journal of Cultural Studies 30/31 (2013/2014): 47-63.
- “Communism and the End of the World.” PUBLIC: Art, Culture, Ideas 48 (2013): 105-115.
- “Dialectical Materialism and the ‘Feminine Sublime’.” Subjectivity 5.4 (2012): 376-395.
- “Between Theory and Post-Theory, or; Slavoj Žižek in Film Studies and Out.” Canadian Journal of Film Studies 20.2 (2011): 75-94.
- “What’s So Funny About Class Struggle?: Ideology in The Trotsky.” cineACTION 82/83 (2010): 64-68.
- “Class Struggle and Displacement: Slavoj Žižek and Film Theory.” Cultural Politics 5.3 (2009): 299-324.
- “Reading Emancipation Backwards: Laclau, Žižek, and the Critique of Ideology in Emancipatory Politics.” International Journal of Žižek Studies 2.1 (2008).
